Nina Hagen: “I hate being put in a box. It’s always so cramped there” Words by Thomas Clausen Whether in the spotlight or beyond, Nina Hagen has continually challenged norms in music, media, and society, cementing her reputation as one of her generation’s most unpredictable and outspoken voices. FRÄULEIN’s author Thomas Clausen invited Nina Hagen for an in-depth conversation exploring her artistic and spiritual journey.
Fräulein Talents: Ruscha Voormann and the Art of Letting Go Words by Andrea Gombalová For Ruscha Voormann, painting is an act of negotiation. Between intuition and control, movement and stillness, certainty and doubt, her works emerge through a continuous process of adjustment rather than fixed intention.
“Everything Is Important, but Somehow Also Not” In Conversation with Stella Winter Words by Helena Alge Stella Winter is in a love-hate relationship with the internet. Her hyperrealist paintings capture moments born from internet culture and give them material form, transforming fleeting digital imagery into something physical, lasting and impossible to scroll past.
Sharon Eyal: “Through dance, you can experience something so powerful that no words could ever express it” Words by Maria Sidelnikova Sharon Eyal doesn’t make dances. She creates entire worlds. Dark, hypnotic, and sensual her pieces pull audiences into a state between ecstasy and vulnerability. Drawing from ballet, club culture, repetition, and raw human emotion, she has developed a movement language that is entirely her own. We spoke to one of the most influential voices in contemporary dance in our new issue #41 AT PEACE.
Fräulein Talents: Masha Park doesn’t believe decoration is shallow Words by Andrea Gombalová Through surreal nail sculptures, distorted feminine symbols, and emotionally charged visual worlds, the Moscow-born, Seoul-based artist transforms manicure into a medium that feels somewhere between fashion object, body fragment, and psychological artifact.
Pick Of The Week: Prada Spring Summer 2026 Gloves Words by Nicole Atieno The Prada Spring Summer 2026 gloves encapsulate the collection’s exploration of unexpected elegance, where everyday dressing is elevated through subtle gestures of luxury.
Seen by Fräulein: What caught our eye this week Words by Helena Alge Too many headlines, too little time. That’s why "Seen by Fräulein" is our weekly edit of everything the Fräulein team has been talking about, obsessing over, or saving for later.
FASHION EDITORIAL DISCONNECTED Creative Direction & Styling: Nicole Atieno, Photography: Julian Melzer
AT ART BASEL, OONA ASKED: IS THE ARTIST JUST ANOTHER PRODUCT? “The artist is a cow.” At the entrance to Art Basel, anonymous artist OONA staged a silent performance examining artistic labor, visibility, and value – before being removed from the square by police. In Milking the Artist II, she transformed herself into a dairy cow, asking what remains of artistic agency when the artist herself becomes the product.
Nina Hagen: “I hate being put in a box. It’s always so cramped there” Words by Thomas Clausen Whether in the spotlight or beyond, Nina Hagen has continually challenged norms in music, media, and society, cementing her reputation as one of her generation’s most unpredictable and outspoken voices. FRÄULEIN’s author Thomas Clausen invited Nina Hagen for an in-depth conversation exploring her artistic and spiritual journey.
Fräulein Talents: Ruscha Voormann and the Art of Letting Go Words by Andrea Gombalová For Ruscha Voormann, painting is an act of negotiation. Between intuition and control, movement and stillness, certainty and doubt, her works emerge through a continuous process of adjustment rather than fixed intention.
“Everything Is Important, but Somehow Also Not” In Conversation with Stella Winter Words by Helena Alge Stella Winter is in a love-hate relationship with the internet. Her hyperrealist paintings capture moments born from internet culture and give them material form, transforming fleeting digital imagery into something physical, lasting and impossible to scroll past.
Sharon Eyal: “Through dance, you can experience something so powerful that no words could ever express it” Words by Maria Sidelnikova Sharon Eyal doesn’t make dances. She creates entire worlds. Dark, hypnotic, and sensual her pieces pull audiences into a state between ecstasy and vulnerability. Drawing from ballet, club culture, repetition, and raw human emotion, she has developed a movement language that is entirely her own. We spoke to one of the most influential voices in contemporary dance in our new issue #41 AT PEACE.
Fräulein Talents: Masha Park doesn’t believe decoration is shallow Words by Andrea Gombalová Through surreal nail sculptures, distorted feminine symbols, and emotionally charged visual worlds, the Moscow-born, Seoul-based artist transforms manicure into a medium that feels somewhere between fashion object, body fragment, and psychological artifact.
Pick Of The Week: Prada Spring Summer 2026 Gloves Words by Nicole Atieno The Prada Spring Summer 2026 gloves encapsulate the collection’s exploration of unexpected elegance, where everyday dressing is elevated through subtle gestures of luxury.
Seen by Fräulein: What caught our eye this week Words by Helena Alge Too many headlines, too little time. That’s why "Seen by Fräulein" is our weekly edit of everything the Fräulein team has been talking about, obsessing over, or saving for later.
FASHION EDITORIAL DISCONNECTED Creative Direction & Styling: Nicole Atieno, Photography: Julian Melzer
AT ART BASEL, OONA ASKED: IS THE ARTIST JUST ANOTHER PRODUCT? “The artist is a cow.” At the entrance to Art Basel, anonymous artist OONA staged a silent performance examining artistic labor, visibility, and value – before being removed from the square by police. In Milking the Artist II, she transformed herself into a dairy cow, asking what remains of artistic agency when the artist herself becomes the product.
